An experienced software developer who switched career paths from business applications to study a bachelor degree in game development and
"Ash took on a very significant role during the development of ZomNom. He was extremely proactive in identifying issues with tech and worked closely with the design and art teams to ensure the project ran as smoothly as possible. He took on a mentoring role and ensured everyone knew what the tech did and how it could be best utilized to improve the game. The final project is excellent and I think this is in large part down to Ash's dedication."
- Tony Oakden, Project Mentor
Producer for Bioshock, 2K Games
Eat Brains in a beautifully ruined city
Check out the full playthrough video.
A twist on a classic 2.5D platformer, set in the middle of the zombie apocalypse. ZomNom was a fifteen week rapid-development project in Unity with a cross-discipline core team of six that aimed to create a finished and polished game to showcase our skills. I took on the role of lead programmer and applied my skills a wide range of features; principle gameplay programming, character and animation controllers, procedural joint animation for NPC aiming, a custom ambient soundscape system, custom Unity dev tools, NPC AI, weapon and environment VFX, complex physical interactions that give this platformer surprising gameplay depth, and much more.
❤️ This project received the AIE Head of School Award for the Most Impressive Advanced Diploma Game Project (2018).
IT'S NOT EASY BEING A DEMON LORD
A demonic hack-n-slash extravaganza. Wreak havoc on the cultists that summoned you from the underworld and escape before they can undo their mistake. Demorial was a six week proof-of-concept project made in Unity with a large cross-discipline team of 12. I acted as lead programmer and scrum master, contributing to a variety of systems including; NPC AI, custom Unity dev tools, custom physics interactions, weapon and environment VFX, camera behaviour and more.
A love letter to skyroads
A homage to the 1993 classic Skyroads, pilot your ship through this procedurally generated endless runner. Working alongside fellow programmer Zack Direen, our challenge was to create a finished game using Unity in just one week. This project satisfied my keen interest in procedural content and nostalgia for classic games.
ALL TILED UP
Three Day Game Jam
Move elemental cubes of fire and ice through a selection of brain-teasing obstacles in this unique puzzle game. A game jam project made with Unity in just three days, then given a final polish. I was the sole programmer in a team of five, and had to create a level editor and level data load/save system, movement and puzzle logic systems, game state, VFX and sound management systems - in a bug free, polished and play-ready state - all in rapid time.
One ship, one crew, multiplayer teamwork
One ship. One crew. Players are in charge of command stations together on the bridge of one ship. Helm, navigation, weapons, sensors and engineering stations must work together to command a vessel too big for any one player to operate on their own.
It is intended to be played face-to-face with a bunch of friends, each with their own laptops or tablets, sitting in a lounge room in front of a TV that is connected to a PC that is the game server. The TV displays the "observer" view mode which provides a cinematic view of the action, like the front screen on the Enterprise in Star Trek.
Networking (sharing command station states and synchronising game objects across all clients) and prototypes for many of the stations are complete. The big take-aways from this experiment: Multiplayer development is twice the work of single player games, this concept is too big for one person to achieve alone, and it shows lots of promise.
Procedural Voxel Terrain meets Perlin Noise
Ever wondered what happens when you inject Perlin Noise into the height map for a procedurally generated Voxel Terrain, and then move the Perlin coordinate offset in realtime? Now you know!
These glowing bio-luminescent mushrooms react to player presence and emit spores that float away in the breeze. Models by Jamie Jenssen. Shaders and VFX by me.
A time-based sine wave is fed into the emission intensity value for the mushroom shader, creating the pulsing glowing effect. The spores are particles that follow the breeze created by a local wind zone object. Coloured light sources reflect off the surrounding environment.
These mushrooms feature in our game "Demorial" which you can find in the Showcase section above.
Dynamic Shaders and Particle Effects
After years of developing business applications for government and private clients, I decided to switch gears and combine creativity with code by entering the field of game development.
I am currently completing a Bachelor Degree in Game Development, while working on my own commercial game projects on the side.
❤️ After achieving an Advanced Diploma in Professional Game Development, I received the AIE Head of School Award for Outstanding Game Programmer (2018).
I have experience as a project manager, development team lead, business application developer, web application developer and much more.
My goal is to complete my current education in game development, find work in the games industry to gain experience, and ultimately to lead a small but passionate team to create and sell my own games.
For a complete résumé, contact me at email@example.com.
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